𝘉𝘦𝘪𝘯𝘨 𝘍𝘰𝘶𝘯𝘥𝘢𝘵𝘪𝘰𝘯𝘢𝘭 𝘔𝘦𝘢𝘯𝘴 𝘛𝘩𝘢𝘵 𝘠𝘰𝘶 𝘋𝘰𝘯'𝘵 𝘈𝘭𝘸𝘢𝘺𝘴 𝘎𝘦𝘵 𝘛𝘰 𝘉𝘦 𝘍𝘭𝘢𝘴𝘩𝘺 (𝘝𝘦𝘯𝘶𝘴 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘢𝘱𝘱𝘭𝘦)
2026
recycled stoneware 

Expanding in the room, crawling up the wall - three ceramic casts of each side of a casting mould of a trunk and a cloth supporting two sculptures from the Royal Casting collection. Collapsed in the casting process since each side cannot stand alone but needs the others for mutual support. 


𝘏𝘢𝘳𝘥𝘦𝘳 𝘣𝘦𝘵𝘵𝘦𝘳 𝘧𝘢𝘴𝘵𝘦𝘳 𝘴𝘵𝘳𝘰𝘯𝘨𝘦𝘳
2026

Recycled stoneware & rockwool

Ceramic casts of working gloves glazed entirely with Rockwool casually left in the space. 


Pumped up vulnerabilities
2026
Recycled stoneware & rust 

A linoleum cut of Kronos - one of the mighty Titans and God of time, devouring his children one by one. Pressed into recycled clay and thereafter carefuly painted with rust.


The group exhibition Moulded reflects on the plasticity, adaptability, and fragility of existence. Through an exploration of form, materiality, and transformation, the exhibition addresses intimate and personal processes as well as broader themes such as environment, inheritance, and social structures as constructive and formative forces. By approaching materials as testimonies and carriers of both individual and collective narratives — across media including photography, clay, textile, wood, aluminium, and wax — Moulded seeks to contextualize formative experiences, ranging from everyday encounters to mythology.

The exhibition presents works by four Danish contemporary artists: Benjamin A. H. Harpsøe, Magnus Lind Nielsen, Ulla Marie Døssing Ottosen, and Sidsel Winther. The exhibition is curated by Elisabeth Julie Kier, who holds an MA in Art History.